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1. According to Marie, what was the aim of the Situationist International?
2. What definition of ‘psychogeography’ does Marie use, and how does she relate it to PlayTime?
3. How does Marie explain the relation between the early part of PlayTime and what happens in the Royal Garden (think in terms of what the characters’ environment does to them in both cases, which Marie mentions specifically)?
4. How does Marie connect PlayTime and Jacques Tati back to François Truffaut and The 400 Blows (Les 400 coups)?

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